Arthur McIntyre in residence at Cité Internationale des Arts, Paris, 1975
Writings by Arthur McIntyre
Arthur McIntyre, “‘F.I.A.C. ‘75’ 2nd Foire Internationale d’Art Contemporain Paris at Pavilion d’Exposistions de La Bastille”, Art & Australia, vol.13 no.2, Summer 1975, pp.181-186
Arthur McIntyre, “The Painted Word: Wolfe must be joking!”, The Australian, 24 March 1976, p.15
Arthur McIntyre, “L’Art Corporel (Body Art)”, Art & Australia,vol.14 no.1, Winter 1976, pp.74-78
Arthur McIntyre, “Art needs a big shake-up”, The Sun, 14 February 1977, p.2
Arthur McIntyre, “Pickering done proud”, The Australian, 11 May 1977, p.10
Arthur McIntyre, “Broken barriers”, The Australian, 16 May 1977, p.8
Arthur McIntyre, “Focussing [sic] on the most democratic art of them all”, The Australian, 17 May 1977, p.10
Arthur McIntyre, “Welcome to the morgue”, The Australian, 24 May 1977, p.10
Arthur McIntyre, “Architect’s eye view”, The Australian, 7 June 1977, p.10
Arthur McIntyre, “The wizard of Oz”, The Australian, 14 June 1977, p.8
Arthur McIntyre, “Freak appeal”, The Australian, 23 June 1977, p.8
Arthur McIntyre, “A Paris legend comes to life with new colors”, The Australian, 28 June 1977, p.8
Arthur McIntyre, “New fire in a jaded scene”, The Australian, 1 July 1977, p.8
Arthur McIntyre, “The art of survival”, The Weekend Australian Magazine, 2-3 July 1977, p.8
Arthur McIntyre, “Yellow flowers – by request”, The Australian, 6 July 1977, p.8
Arthur McIntyre, “Golden Silence”, The Australian, 7 July 1977, p.10
Arthur McIntyre, “Art? It’s all in the body”, The Australian, 11 July 1977, p.8
Arthur McIntyre, “Explosive material”, The Australian, 15 July 1977, p.8
Arthur McIntyre, “Problems in turning on the charm”, The Weekend Australian Magazine, 16-17 July 1977, p.9
Arthur McIntyre, “Nothing tricky”, The Australian, 22 July 1977, p.8
Arthur McIntyre, “Warmth and passion in sticks and stones”, The Weekend Australian Magazine, 23-24 July 1977, p.9
Arthur McIntyre, “New ways of making his point”, The Australian, 29 July 1977, p.8
Arthur McIntyre, “Light metals with a heavy weight impact”, The Weekend Australian Magazine, 30-31 July 1977, p.9
Arthur McIntyre, “What goes down must...”, The Australian, 3 August 1977, p.10
Arthur McIntyre, “Good versus popular”, The Australian, 9 August 1977, p.8
Arthur McIntyre, “You couldn’t see the floor for the trees”, The Australian, 12 August 1977, p.8
Arthur McIntyre, “Mixture of passion and compassion”, The Weekend Australian Magazine, 13-14 August 1977, p.9
Arthur McIntyre, “Print work as a one-off art form”, The Australian, 16 August 1977, p.8
Arthur McIntyre, “Form doesn’t follow function, but...”, The Australian, 18 August 1977, p.8
Arthur McIntyre, “There’s always something to laugh about in reality”, The Weekend Australian Magazine, 27-28 August 1977, p.8
Arthur McIntyre, “They’re all in it for the money”, The Australian,1 September 1977, p.8
Arthur McIntyre, “Visual poetry in a Czech view of life”, The Weekend Australian Magazine, 3-4 September 1977, p.9
Arthur McIntyre, “Outside looking on”, The Australian, 5 September 1977, p.8
Arthur McIntyre, “Much more than just a pretty body”, The Australian, 6 September 1977, p.8
Arthur McIntyre, “More craft than art”, The Weekend Australian Magazine, 10-11 September 1977, p.9
Arthur McIntyre, “Under the hammer”, The Australian,19 September 1977, p.8
Arthur McIntyre, “The art of loading”, The Australian, 20 September 1977, p.8
Arthur McIntyre, “Quietly felt presence”, The Australian, 23 September 1977, p.8
Arthur McIntyre, “Look forward to Lester”, The Australian, 29 September 1977, p.8
Arthur McIntyre, “It’s very important to have an address”, The Australian, 30 September 1977, p.8
Arthur McIntyre, “Bush battler in the gallery: Frank Watters talks to Arthur McIntyre”, The Weekend Australian Magazine,1-2 October 1977, pp.8-9
Arthur McIntyre, “Fresh New Zealand air”, The Weekend Australian Magazine, 1-2 October 1977, p.9
Arthur McIntyre, “The poster as an art form”, The Australian, 3 October 1977, p.8
Arthur McIntyre, “In suburbia”, The Australian, 5 October 1977, p.10
Arthur McIntyre, “This is your art”, The Australian, 17 October 1977, p.8
Arthur McIntyre, “Posters by the people, for the people”, The Australian, 19 October 1977, p.10
Arthur McIntyre, “Theory stronger than theme”, The Australian, 25 October 1977, p.8
Arthur McIntyre, “Young artist to watch”, The Australian,28 October 1977, p.8
Arthur McIntyre, “Powerful presence exerted”, The Australian, 1 November 1977, p.8
Arthur McIntyre, “Orchestration of visual heartbeats”, The Australian, 4 November 1977, p.8
Arthur McIntyre, “Innovation, impact from Imants Tillers”, The Weekend Australian Magazine, 5-6 November 1977, p.9
Arthur McIntyre, “Strong ideas, visually weak”, The Australian, 11 November 1977, p.8
Arthur McIntyre, “A world full of ambiguities”, The Weekend Australian Magazine, 12-13 November 1977, p.9
Arthur McIntyre, “Enjoying a feast of photographic art”, The Weekend Australian Magazine, 19-20 November 1977, p.9
Arthur McIntyre, “Whiteley stuck in the salon”, The Australian, 21 November 1977, p.10
Arthur McIntyre, “New found calm and assurance”, The Australian, 23 November 1977, p.10
Arthur McIntyre, “Take heart with Norman Lindsay”, The Weekend Australian Magazine, 26-27 November 1977, p.9
Arthur McIntyre, “More than a recorder”, The Australian, 2 December 1977, p.8
Arthur McIntyre, “Christmas hell”, The Weekend Australian Magazine, 3-4 December 1977, p.9
Arthur McIntyre, “Frederic treads the tricky path between art and craft”, The Australian, 8 December 1977, p.10
Arthur McIntyre, “Goodwill and commercialism”, The Australian, 9 December 1977, p.12
Arthur McIntyre, “Satire mixes repulsion and delight”, The Weekend Australian Magazine, 10-11 December 1977, p.9
Arthur McIntyre, “Nothing elitist about these prints”, The Australian, 15 December 1977, p.8
Arthur McIntyre, “Lessons in portraiture from the past”, The Australian, 22 December 1977, p.8
Arthur McIntyre, “Interesting, as folk art”, The Australian, 5 January 1978, p.8
Arthur McIntyre, “Brett’s 1962 stunner”, The Australian, 6 January 1978, p.8
Arthur McIntyre, “A sane approach to art selling”, The Weekend Australian Magazine, 7-8 January 1978, p.8
Arthur McIntyre, “A pig’s-eye view of life”, The Australian, 12 January 1978, p.8
Arthur McIntyre, “Keeping abreast of the times”, The Australian, 16 January 1978, p.10
Arthur McIntyre, “The way we were, and are”, The Australian, 17 January 1978, p.8
Arthur McIntyre, “A print is not a one-off”, The Australian, 19 January 1978, p.8
Arthur McIntyre, “The last of the Bohemians”, The Australian, 20 January 1978, p.8
Arthur McIntyre, “Is it another Opera House?”, The Weekend Australian Magazine, 21-22 January 1978, p.8
Arthur McIntyre, “Harbor theme stimulates touch of satire”, The Weekend Australian Magazine, 28-29 January 1978, p.6
Arthur McIntyre, “Ahead in the rocks”, The Australian, 2 February 1978, p.8
Arthur McIntyre, “Power and insight”, The Australian, 8 February 1978, p.8
Arthur McIntyre, “Pioneer of local sculpture”, The Australian, 10 February 1978, p.8
Arthur McIntyre, “Inquiry into reality”, The Weekend Australian Magazine, 11-12 February 1978, p.5
Arthur McIntyre, “Disturbingly beautiful”, The Australian, 15 February 1978, p.10
Arthur McIntyre, “History, matured in the wood”, The Australian, 17 February 1978, p.10
Arthur McIntyre, “Too refined?”, The Australian, 23 February 1978, p.10
Arthur McIntyre, “Patterns of offbeat humor”, The Australian, 28 February 1978, p.8
Arthur McIntyre, “Antipodean, but not a Gauguin pastiche”, The Australian, 1 March 1978, p.10
Arthur McIntyre, “A very personal lifestyle”, The Australian, 9 March 1978, p.8
Arthur McIntyre, “Making waves”, The Australian, 14 March 1978, p.10
Arthur McIntyre, “Three masters”, The Weekend Australian Magazine, 18-19 March 1978, p.5
Arthur McIntyre, “The stripes and splashes school”, The Australian, 23 March 1978, p.8
Arthur McIntyre, “View from the outside”, The Australian, 30 March 1978, p.10
Arthur McIntyre, “Images of wry humor”, The Weekend Australian Magazine, 1-2 April 1978, p.6
Arthur McIntyre, “Weaver Hawkins – a tribute to a pioneer”, The Weekend Australian Magazine, 15-16 April 1978, p.7
Arthur McIntyre, “Christmann is on wrong track”, The Australian, 19 April 1978, p.8
Arthur McIntyre, “Fake Pollocks fool Australian art establishment”, Art Monthly [UK], no.18 July/August 1978, pp.4-6
Arthur McIntyre, “The Sydney Scene”, Art & Australia, vol.16 no.1, Spring 1978, pp.39-41
Arthur McIntyre, “Mandy Martin – an Artist with Something to Say”, Aspect: Art and Literature, vol.4 no.1-2, 1979, pp.66-69
Arthur McIntyre, “The question of alternative galleries”, Art & Australia, vol.16 no.3, Autumn 1979, pp.223-224
Arthur McIntyre, “Through a lens sweetly”, Art & Australia, vol.16 no.4, Winter 1979, pp.318-319
Arthur McIntyre, “The Sydney Scene”, Art & Australia, vol.17 no.2, Summer 1979, pp.140-141
Arthur McIntyre, “John Hoyland in Australia”, Art & Australia, vol.18 no.1, Spring 1980, pp.58-62
Arthur McIntyre, “The Sydney Scene”, Art & Australia, vol.18 no.2, Summer 1980, pp.119-120
Arthur McIntyre, “Carl Plate – a personal tribute”, Aspect: Art and Literature, vol.4 no.4, 1980, pp.64-66
Arthur McIntyre, “The Art of Margaret Preston”, Art & Australia, vol.18 no.3, Autumn 1981, pp.220-222
Arthur McIntyre, “The manipulators of photography”, The Age, 21 August 1981, p.10
Arthur McIntyre, “Sydney Scene”, Art & Australia, vol.19 no.3, Autumn 1982, pp.278-279
Arthur McIntyre, “A very photogenic Biennale”, The Age, 14 April 1982, p.10
Arthur McIntyre, “Sydney Scene”, Art & Australia, vol.20 no.2, Summer 1982, pp.184-185
Arthur McIntyre, “Commentary – Sydney Scene”, Art & Australia, vol.22 no.1, Spring 1984, pp.26-28
Arthur McIntyre, “Slow down, young man”, The Age, 10 July, 1984, p.14
Arthur McIntyre, “Persson has a black-and-white romance with death”, The Age, 11 April, 1985, p.14
Arthur McIntyre, “Rural landscapes – the city folk do them best”, Sydney Morning Herald, 18 May 1985, p.47
Arthur McIntyre, “Melbournians continue to dominate Sydney scene”, The Age, 23 May 1985, p.14
Arthur McIntyre, “Big on kitsch and regurgitation”, The Age, 22 May 1986, p.14
Arthur McIntyre, “Commentary – Sydney Scene”, Art & Australia, vol.23 no.4, Winter 1986, pp.458-461
Arthur McIntyre, “A drawing revival finally arrives”, The Age, 20 February 1987, p.12
Arthur McIntyre, “Time for Re-evaluation”, Art & Australia, vol.24 no.3, Autumn 1987, pp.334-338
Arthur McIntyre, “The ‘Backlash’ gesture”, The Age, 2 April 1987, p.14
Arthur McIntyre, “Sansom tests nature of art”, The Age, 7 April 1987, p.14
Arthur McIntyre, “East is east and West is where it’s gone in the Sydney art world”, The Age, 21 April 1987
Arthur McIntyre, “Intercity dialogue hard to come by”, The Age, 4 June 1987, p.14
Arthur McIntyre, “Bicentenary show ignores too much”, The Age, 27 October 1987, p.14
Arthur McIntyre, “Collage is a humble folk art no longer”, The Age, 2 November 1987, p.14
Arthur McIntyre, “Establishment tightens its deathly grip in 1987”, The Age, 13 January 1988, p.14
Arthur McIntyre, “Todd is above white and black barriers”, The Age, 4 October 1988, p.14
Arthur McIntyre, Resurgence and Redefinition: Australian Contemporary Drawing, Boolarong Publishers, Bowen Hills, Qld, 1988
Arthur McIntyre, “Perspecta elevated above the commonplace”, The Age, 22 June, 1989, p.14
Arthur McIntyre, “Janet Laurence gets order out of chaos”, The Age, 27 June 1989, p.14
Arthur McIntyre, “Cringeing conservatism brings deja viewing in the Archibald Prize”, The Age, 19 December 1989, p.14
Arthur McIntyre, “Impressions: James Meldrum”, Art & Australia, vol.27 no.3, Autumn 1990, pp.442-444
Arthur McIntyre, Contemporary Australian Collage and its Origins, Craftsman House, Roseville, NSW, 1990
Arthur McIntyre, “Drawing is a State of Mind!”, Australian Artist, no.90, December 1991, pp.42-47
Arthur McIntyre, “Art in the 1970s and 1980s”, in Maurice K. Symonds et.al., The Visual Arts, 4th ed., Jacaranda Press, Qld, 1993, pp.199-207
Arthur McIntyre, “To compete or not to compete”, Oz Arts, Issue 9, 1994, pp.38-40
Arthur McIntyre, “Gisella Scheinberg”, Oz Arts, Issue 10, 1994, pp.34-35
Arthur McIntyre, “Collage: Australian collage in context”, Oz Arts, Issue 10, 1994, pp.88-93
References to Arthur McIntyre in Chronological Order
“Art collection from child painters”, Qantas Empire Airways, vol.27 no.5, May 1961, pp.10-11
Eileen Slarke, “The Impact of the 1967 and 1974 American Art Exhibitions”, C.A.S. Student Broadsheet …Smashing the Establishment?, n.d., pp.18-20
Elwyn Lynn, “The Power Gallery of Contemporary Art Acquisitions 1973 – 1975”, Art & Australia, vol.13 no.1, Spring 1975, pp.60-67
“Power Foundation Artists in Sydney Exhibition”, The University of Sydney News, vol.8 no.12, 14 June 1976, p.94
David Apelbaum, “Blood, Guts & Gore: is this the new art(?) form?”, Campaign, no.18, March 1977, p.36
Angela Korvisianos, “Survival, Decay, Sex, Sadism, Drugs”, Union Recorder: Official Journal of the University of Sydney Union, vol.57 no.3, 28 March-11 April, 1977, p.67
Denise Maguire, “The artist and art with a difference”, Accent: The Family Magazine 14 April 1977
Elwyn Lynn, “The Power Gallery of Contemporary Art Acquisitions 1975 - 77”, Art & Australia, vol.15 no.2, Summer 1977, pp.166-173
Elizabeth Riddell, “French by choice”, POL, no.2, 1977, pp.95-96
Catalogue of Acquisitions 1976, The Trustees Art Gallery of New South Wales, Sydney, 1978, p.39
Kym Bonython, Modern Australian Painting 1975-1980, Rigby Limited, Adelaide, 1980, pp.16-17, 84-85
Robert Lindsay, The Seventies: Australian Paintings and Tapestries from the Collection of the National Australia Bank, The National Bank of Australasia Limited, Melbourne, 1982, p.73
“Reporting Galleries - Holdsworth Galleries Sydney”, Art & Australia, vol.21 no.1, Spring 1983, p.31
Elwyn Lynn, “Twenty-years: Australian Art 1963 - 83”, Art & Australia, vol.21 no.2, Summer 1983, pp.197-207
Max Germaine, Artists and Galleries of Australia, Boolarong Publications, Brisbane, 1984, p.331
Bill Hornadge, The Ugly Australian, Kangaroo Press, Kenthurst, NSW, 1985, p.15
Oz Drawing Now, exhibition catalogue, Holdsworth Contemporary Galleries, Sydney, 1986
The Age of Collage, exhibition catalogue, Holdsworth Contemporary Galleries, Sydney, 1987
Andrew Sayers, Drawing in Australia: Drawings, Water-Colours, Pastels and Collages from the 1770s to the 1980s, Australian National Gallery, Oxford University Press, Melbourne, 1989
Andrew Sayers, “Artists in hospitals”, Art Monthly Australia, no.36 November 1990, pp.7-11
Christopher Chapman, “Flesh and Blood: Exhibitions about Life and Death”, Australian National Gallery Association News, May/June 1991, pp.9-10
Bronwyn Watson, “Art of Arthur McIntyre – a profile”, Oz Arts, Issue 1, 1991, pp.16-22
Brian Phipps, “The Faber-Castell collection”, Oz Arts, Issue 2, 1992, pp.14-19
“Arthur McIntyre in America”, Oz Arts, Issue 3, 1992, pp.18-19
Nevill Drury (ed), New Art Seven: Profiles in Contemporary Australian Art, Craftsman House, Roseville East, NSW, 1992, pp.134-137
Who’s Who of Australian Children’s Writers, 1st edition, D. W. Thorpe, Port Melbourne in association with National Centre for Australian Studies, Monash University, Vic., 1992, p.95
“Head Case”, Not Only Black + White, Issue 1, June 1993, p.18
Hendrik Kolenberg, “The First Dobell Prize for Drawing”, Look: Art Gallery Society of New South Wales, June 1993, p.23
Kedumba Drawing Award 1993, exhibition catalogue, Fairmont Resort, Leura, 13-22 August 1993
Nancy Corbett, “Angels & Demons Heroes & Villains”, Oz Arts, Issue 6, 1993, pp.88-90
Carolynne Skinner, “Reviews: The Kedumba, Mr. Gleeson and Mr. McIntyre”, Oz Arts, Issue 9, 1994, pp.40-43
The Baillieu Myer Collection of the 80s, exhibition catalogue, Heide Museum of Modern Art, Bulleen, Vic., 1994
Nevill Drury, Images 2: Contemporary Australian Painting, Craftsman House, Roseville East, NSW, 1994, p.221
Ted Gott (editor and curator), Don’t Leave Me This Way: Art in the Age of AIDS, exhibition book, National Gallery of Australia, Canberra (distributed by Thames and Hudson), 1994
Who’s Who of Australian Visual Artists, 2nd edition, D. W. Thorpe, Port Melbourne in association with National Association for the Visual Arts, 1995, p.206
Margot Hilton & Graeme Blundell, Whiteley - An Unauthorised Life, Pan Macmillan, Sydney, 1996
Who’s Who of Australian Children’s Writers, 2nd edition, D. W. Thorpe, Port Melbourne in association with National Centre for Australian Studies 1996, p.110
Max Taylor(compiler), AVision Realized: Selections from Trinity Grammar School Art Collection, exhibition catalogue, Trinity Grammar School Society of the Arts, Sydney, 1997
Peter Phillips, “Arthur McIntyre 1945-2003”, Art & Australia, vol.41 no.4, Winter 2004, p.553
Alan McCulloch & Susan McCulloch, The Encyclopedia of Australian Art, revised edition, Aus Art Editions, Fitzroy, Vic., 2004, p.454
Daniel Mudie Cunningham (editor and curator), Bent Western, exhibition catalogue, Blacktown Arts Centre, Blacktown, NSW, 2008
Jacqueline Millner, “Bent Western”, Runway, Issue 10: Romance, Autumn 2008, pp.77-79
Daniel Mudie Cunningham, “Survival, decay and excavation: curating Arthur McIntyre”, Art Monthly Australia, no.211, July 2008, pp.30-34
Craig Judd, “Bent Western, Sydney”, Art Monthly Australia, no.211, July 2008, pp.35-38
Maria (Connie) Tornatore-Loong, “Arthur McIntyre: Sex, Death, Life and Art”, Sydney University Museums News, Issue 18, June 2009, pp.10-11
Selected Press References about Arthur McIntyre
James Gleeson, “Art Review”, The Sun, 30 June 1971, p.42 (reference to pseudonym Adam Milton)
“Eleven Canvases at Gill Art Gallery”, The Armidale Express, 25 October 1971, p.4 (reference to pseudonym Adam Milton)
James Gleeson, “A square within a square”, The Sun, 1 August 1973, p.59
Anthony Clarke, “Exhibiting is an art in itself…”, The Age, 10 August 1973, p.13
Murray Mason, “The Arts”, The West Australian, 8 December 1973
Craig Gough, “Excitement on the Perth art scene”, The Sunday Times, 9 December 1973
Murray Mason, “The Arts”, The West Australian, 8 June 1974
Daniel Thomas, “Ocker and aesthete”, Sydney Morning Herald, 6 February 1975, p.7
Sandra McGrath, “The last image is of the bush”, The Australian, 8 February 1975, p.16
Diana Fisher, “Mishmash of culture and plain old fun”, Sunday Telegraph, 9 February 1975, p.80
Ruth Faerber, “Unreal quality of Oldfield’s paintings”, The Australian Jewish Times, 13 February 1975, p.20
W.E. Pidgeon, “Heavyweights”, Sunday Telegraph, 16 February 1975, p.93
“Newsmakers”, The Australian, 21 February 1976, p.2
“Life is so bad, so desolate in Sydney”, Sydney Morning Herald, 25 February 1976, p.3
Nancy Borlase, “High-pitched hedonism”, Sydney Morning Herald, 26 February 1976, p.7
Nancy Borlase, “Mainstream painting alive and well”, Sydney Morning Herald, 4 March 1976, p.7
Ruth Faerber, “Poetry of decay”, The Australian Jewish Times, 4 March 1976, p.22
W.E. Pidgeon, “Visions of doom”, Sunday Telegraph, 7 March 1976, p.67
“Holdsworth Galleries”, Financial Review, 5 April 1976
Sandra Symons, “Posters packing profitable punch”, The Bulletin, 12 February 1977, p.24
“His art not so bland”, The Sun, 7 March 1977, p.7
Diana Fisher, “Art of all kinds”, Sunday Telegraph, 13 March 1977, p.110
“Around the town”, Sunday Telegraph, 13 March 1977, p.111
W.E. Pidgeon, “Erotica in a hothouse”, Sunday Telegraph, 13 March 1977, p.141
Nancy Borlase, “McIntyre’s new breadth of vision”, Sydney Morning Herald, 17 March 1977, p.7
Sandra McGrath, “Seamier side of the picture”, The Australian, 18 March 1977, p.10
Ronald Millar, “Identity search”, The Australian, 20 April 1978, p.8
Sandra McGrath, “Collage with a new face”, The Australian, 28 June 1978, p.8
“Around the Town”, Sunday Telegraph, 2 July 1978, p.129
Ruth Faerber, “Review of Survival Series”, The Australian Jewish Times, 6 July 1978
Nancy Borlase, “Not for students only”, Sydney Morning Herald, 16 June 1979
Lyndall Crisp, “Arthur chooses disturbing subjects: painter likes to bring sex into his art”, The Australian, 22 August 1979, p.3
Sandra McGrath, “Lloyd Rees, a Renaissance master”, The Australian, 7 July 1980, p.8
Elwyn Lynn, “If you can’t stand the tweet get out of the kitschen”, The Weekend Australian Magazine, 1-2 August 1981, p.14
Nancy Borlase, “Artists are measured by their age”, Sydney Morning Herald – Good Weekend, 8 August 1981, p.48
Terence Maloon, “What feminism has done to painting”, Sydney Morning Herald – Good Weekend, 12 February 1983, p.40
Susanna Short, “More of an exercise in philanthropy than money-making”, Daily Telegraph, 2 May 1986, p.24
Elwyn Lynn, “On being driven to abstraction”, The Weekend Australian Magazine, 14-15 June 1986, p.12
Terence Maloon, “Artists take a well-worn walk on the wild side”, Sydney Morning Herald, 26 September 1986, p.14
Elwyn Lynn, “Archly hewn Huon”, The Weekend Australian Magazine, 27-28 September 1986, p.10
Elwyn Lynn, “John Perceval: a first for Sydney”, The Weekend Australian Magazine, 27-28 June 1987, p.12
Sandra Symons, “Making an image stick”, Sydney Morning Herald, 15 October 1987, p.3
Elwyn Lynn, “Public orgy from a hidden world”, The Weekend Australian Magazine, 17-18 October 1987, p.12
Peter Ross, “Inside the arts”, The Sun-Herald, 1 November 1987, p.132
Elwyn Lynn, “The exorcists and the Renaissance”, The Weekend Australian – Weekend, 22-23 October 1988, p.15
Christopher Allen, “Under the surface chic, a pile of pretension”, Sydney Morning Herald, 7 April 1989, p.16
Bronwyn Watson, “Prize paints a bright future”, Sydney Morning Herald, 19 December 1989, p.16
Christopher Allen, “Collage: 80-year fade from shock to shadow”, Sydney Morning Herald, 23 March 1990, p.20
Bronwyn Watson, “Mixed media messages”, Sydney Morning Herald – Metro, 23 March 1990, p.3s
Margot Date, “A parody on ideologies wins Amnesty art prize”, Northern Herald, 3 May 1990, p.10
Bronwyn Watson, “Bottom drawer finds”, Sydney Morning Herald – Metro, 22 June 1990, p.2s
Kirsty Cameron, “The paper chase: get more art than you bargained for”, The Australian, 28 June 1990, p.9
Dian Lloyd, “Dazzling drawings show range of interest, stills”, The Australian Jewish News – Sydney Edition, 29 June 1990, pp.26, 39
Bronwyn Watson, “The return to old forms”, Sydney Morning Herald, 29 June 1990, p.14
Elwyn Lynn, “Balmy zephyrs from inland banish angst”, The Weekend Australian – Review, 30 June-1 July 1990, p.10
Bronwyn Watson, “Raw vision”, Sydney Morning Herald – Metro, 19 April 1991, pp.1s-2s
Bronwyn Watson, “Drawing in the crowds”, Sydney Morning Herald, 2 July 1991, p.14
Glenn Russell, “Premium on horror”, The Bulletin, 16 July 1991, p.15
Maria Prerauer, “Marietta”, The Bulletin, 11 February 1992, p.108
Maria Prerauer, “Marietta”, The Bulletin, 19 January 1993, p.87
Elwyn Lynn, “Moore or less a Moscow maestro”, The Weekend Australian – Review, 6-7 February 1993, p.13
Bronwyn Watson, “The case for landscape”, Sydney Morning Herald, 12 February 1993, p.17
Bronwyn Watson, “Two share Kedumba award”, Sydney Morning Herald, 17 August 1993, p.19
Paul LePetit, “Judge draws on some special talent”, Sunday Telegraph, 22 August 1993, p.135
Bruce James, “A visual tour de force”, Sydney Morning Herald, 10 November 1994, p.22
Bruce James, “Affirming the living amid the agony and the cruelty of AIDS”, The Age, 30 November 1994, p.25
Sasha Grishin, “Restraint replaces horror”, Canberra Times, 6 December 1994
Bronwyn Watson, “Drawings to get permanent home”, Sydney Morning Herald, 28 April 1995, p.13
Bronwyn Watson, “Gallery devoted to drawing opens”, Sydney Morning Herald, 26 May 1995, p.15
Marcus Kuczynski, “Arthur breaks artist’s mould”, Inner Western Weekly, 21 June 1995
Matthew Westwood, “Youthful energy drawn out of blue”, The Australian, 30 June 1995, p.15
Felicity Fenner, “All-pervasive images of sex”, Sydney Morning Herald, 7 July 1995, p.14
Bruce James, “Limbs like Leonardo”, Sydney Morning Herald, 15 August 1997, p.14
Peter Phillips, “Challenge to art world a cry in dark” [obituary], Sydney Morning Herald, 5 December 2003, p.30
Charis Chang, “Artwork unearthed”, Northern District Times, 11 June 2008, p.26
Andrew Frost, “In a spirit of unrest”, Sydney Morning Herald (Metro), 28 May 2010, p.14
Daphne Guinness, “Triple treat of erotica from explicit artist”, Sydney Morning Herald, 12 May 2010, p.9