References to the Artist in Chronological Order
“Art collection from child painters”, Qantas Empire Airways, vol.27 no.5, May 1961, pp.10-11
Eileen Slarke, “The Impact of the 1967 and 1974 American Art Exhibitions”, C.A.S. Student Broadsheet …Smashing the Establishment?, n.d., pp.18-20
Elwyn Lynn, “The Power Gallery of Contemporary Art Acquisitions 1973 – 1975”, Art & Australia, vol.13 no.1, Spring 1975, pp.60-67
“Power Foundation Artists in Sydney Exhibition”, The University of Sydney News, vol.8 no.12, 14 June 1976, p.94
David Apelbaum, “Blood, Guts & Gore: is this the new art(?) form?”, Campaign, no.18, March 1977, p.36
Angela Korvisianos, “Survival, Decay, Sex, Sadism, Drugs”, Union Recorder: Official Journal of the University of Sydney Union, vol.57 no.3, 28 March-11 April, 1977, p.67
Denise Maguire, “The artist and art with a difference”, Accent: The Family Magazine, 14 April 1977
Elwyn Lynn, “The Power Gallery of Contemporary Art Acquisitions 1975 - 77”, Art & Australia, vol.15 no.2, Summer 1977, pp.166-173
Elizabeth Riddell, “French by choice”, POL, no.2, 1977, pp.95-96
Catalogue of Acquisitions 1976, The Trustees Art Gallery of New South Wales, Sydney, 1978, p.39
Kym Bonython, Modern Australian Painting 1975-1980, Rigby Limited, Adelaide, 1980, pp.16-17,
84-85
Robert Lindsay, The Seventies: Australian Paintings and Tapestries from the Collection of the National Australia Bank, The National Bank of Australasia Limited, Melbourne, 1982, p.73
“Reporting Galleries - Holdsworth Galleries Sydney”, Art & Australia, vol.21 no.1, Spring 1983, p.31
Elwyn Lynn, “Twenty-years: Australian Art 1963 - 83”, Art & Australia, vol.21 no.2, Summer 1983, pp.197-207
Max Germaine, Artists and Galleries of Australia, Boolarong Publications, Brisbane, 1984, p.331
Bill Hornadge, The Ugly Australian, Kangaroo Press, Kenthurst, NSW, 1985, p.15
Oz Drawing Now, exhibition catalogue, Holdsworth Contemporary Galleries, Sydney, 1986
The Age of Collage, exhibition catalogue, Holdsworth Contemporary Galleries,Sydney, 1987
Andrew Sayers, “Artists in hospitals”, Art Monthly Australia, no.36 November 1990, pp.7-11
Christopher Chapman, “Flesh and Blood: Exhibitions about Life and Death”, Australian National Gallery Association News, May/June 1991, pp.9-10
Bronwyn Watson, “Art of Arthur McIntyre – a profile”, Oz Arts, Issue 1, 1991, pp.16-22
Brian Phipps, “The Faber-Castell collection”, Oz Arts, Issue 2, 1992, pp.14-19
“Arthur McIntyre in America”, Oz Arts, Issue 3, 1992, pp.18-19
Nevill Drury (ed), New Art Seven: Profiles in Contemporary Australian Art, Craftsman House, Roseville East, NSW, 1992, pp.134-137
Who’s Who of Australian Children’s Writers, 1st edition, D. W. Thorpe, Port Melbourne in association with National Centre for Australian Studies, Monash University, Vic., 1992, p.95
“Head Case”, (Not Only) Black + White, Issue 1, June 1993, p.18
Hendrik Kolenberg, “The First Dobell Prize for Drawing”, Look: Art Gallery Society of New South Wales, June 1993, p.23
Kedumba Drawing Award 1993, exhibition catalogue, Fairmont Resort, Leura, 13-22 August 1993
Nancy Corbett, “Angels & Demons Heroes & Villains”, Oz Arts, Issue 6, 1993, pp.88-90
Carolynne Skinner, “Reviews: The Kedumba, Mr. Gleeson and Mr. McIntyre”, Oz Arts, Issue 9, 1994, pp.40-43
The Baillieu Myer Collection of the 80s, exhibition catalogue, Heide Museum of Modern Art, Bulleen, Vic., 1994
Nevill Drury, Images 2: Contemporary Australian Painting, Craftsman House, Roseville East, NSW, 1994, p.221
Ted Gott (editor and curator), Don’t Leave Me This Way: Art in the Age of AIDS, exhibition book, National Gallery of Australia, Canberra (distributed by Thames and Hudson), 1994
Who’s Who of Australian Visual Artists, 2nd edition, D. W. Thorpe, Port Melbourne in association with National Association for the Visual Arts, 1995, p.206
Margot Hilton & Graeme Blundell, Whiteley – An unauthorised life, Pan Macmillan, Sydney, 1996
Who’s Who of Australian Children’s Writers, 2nd edition, D. W. Thorpe, Port Melbourne in association with National Centre for Australian Studies 1996, p.110
Max Taylor (compiler), A Vision Realized: Selections from Trinity Grammar School Art Collection, exhibition catalogue, Trinity Grammar School Society of the Arts, Sydney, 1997
Peter Phillips, “Arthur McIntyre 1945-2003”, Art & Australia, vol.41 no.4, Winter 2004, p.553
Alan McCulloch & Susan McCulloch, The Encyclopedia of Australian Art, revised edition, Aus Art Editions, Fitzroy, Vic., 2004, p.454
Daniel Mudie Cunningham (editor and curator), Bent Western, exhibition catalogue, Blacktown Arts Centre, Blacktown, NSW, 2008
Jacqueline Millner, “Bent Western”, Runway, Issue 10: Romance, Autumn 2008, pp.77-79
Daniel Mudie Cunningham, “Survival, decay and excavation: curating Arthur McIntyre”, Art Monthly Australia, no.211, July 2008, pp.30-34
Craig Judd, “Bent Western, Sydney”, Art Monthly Australia, no.211, July 2008, pp.35-38
Maria (Connie) Tornatore-Loong, “Arthur McIntyre: Sex, Death, Life and Art”, Sydney University Museums News, Issue 18, June 2009, pp.10-11
Selected Press References
James Gleeson, “Art Review”, The Sun, 30 June 1971, p. 42 (reference to pseudonym Adam Milton)
“Eleven Canvases at Gill Art Gallery”, The Armidale Express, 25 October 1971, p.4 (reference to pseudonym Adam Milton)
James Gleeson, “A square within a square”, The Sun, 1 August 1973, p.59
Anthony Clarke, “Exhibiting is an art in itself…”, The Age, 10 August 1973, p.13
Murray Mason, “The Arts”, The West Australian, 8 December 1973
Craig Gough, “Excitement on the Perth art scene”, The Sunday Times, 9 December 1973
Murray Mason, “The Arts”, The West Australian, 8 June 1974
Daniel Thomas, “Ocker and aesthete”, Sydney Morning Herald, 6 February 1975, p.7
Sandra McGrath, “The last image is of the bush”, The Australian, 8 February 1975, p.16
Diana Fisher, “Mishmash of culture and plain old fun”, Sunday Telegraph, 9 February 1975, p.80
Ruth Faerber, “Unreal quality of Oldfield’s paintings”, The Australian Jewish Times, 13 February 1975, p.20
W.E. Pidgeon, “Heavyweights”, Sunday Telegraph, 16 February 1975, p.93
“Newsmakers”, The Australian, 21 February 1976, p.2
“Life is so bad, so desolate in Sydney”, Sydney Morning Herald, 25 February 1976, p.3
Nancy Borlase, “High-pitched hedonism”, Sydney Morning Herald, 26 February 1976, p.7
Nancy Borlase, “Mainstream painting alive and well”, Sydney Morning Herald, 4 March 1976, p.7
Ruth Faerber, “Poetry of decay”, The Australian Jewish Times, 4 March 1976, p.22
W.E. Pidgeon, “Visions of doom”, Sunday Telegraph, 7 March 1976, p.67
“Holdsworth Galleries”, Financial Review, 5 April 1976
Sandra Symons, “Posters packing profitable punch”, The Bulletin, 12 February 1977, p.24
“His art not so bland”, The Sun, 7 March 1977, p.7
Diana Fisher, “Art of all kinds”, Sunday Telegraph, 13 March 1977, p.110
“Around the town”, Sunday Telegraph, 13 March 1977, p.111
W.E. Pidgeon, “Erotica in a hothouse”, Sunday Telegraph, 13 March 1977, p.141
Nancy Borlase, “McIntyre’s new breadth of vision”, Sydney Morning Herald, 17 March 1977, p.7
Sandra McGrath, “Seamier side of the picture”, The Australian, 18 March 1977, p.10
Ronald Millar, “Identity search”, The Australian, 20 April 1978, p.8
Sandra McGrath, “Collage with a new face”, The Australian, 28 June 1978, p.8
“Around the Town”, Sunday Telegraph, 2 July 1978, p.129
Ruth Faerber, “Review of Survival Series”, The Australian Jewish Times, 6 July 1978
Nancy Borlase, “Not for students only”, Sydney Morning Herald, 16 June 1979
Lyndall Crisp, “Arthur chooses disturbing subjects: painter likes to bring sex into his art”,
The Australian, 22 August 1979, p.3
Sandra McGrath, “Lloyd Rees, a Renaissance master”, The Australian, 7 July 1980, p.8
Elwyn Lynn, “If you can’t stand the tweet get out of the kitschen”, The Weekend Australian Magazine, 1-2 August 1981, p.14
Nancy Borlase, “Artists are measured by their age”, Sydney Morning Herald – Good Weekend, 8 August 1981, p.48
Terence Maloon, “What feminism has done to painting”, Sydney Morning Herald – Good Weekend, 12 February 1983, p.40
Susanna Short, “More of an exercise in philanthropy than money-making”, Daily Telegraph, 2 May 1986, p.24
Elwyn Lynn, “On being driven to abstraction”, The Weekend Australian Magazine, 14-15 June 1986, p.12
Terence Maloon, “Artists take a well-worn walk on the wild side”, Sydney Morning Herald, 26 September 1986, p.14
Elwyn Lynn, “Archly hewn Huon”, The Weekend Australian Magazine, 27-28 September 1986, p.10
Elwyn Lynn, “John Perceval: a first for Sydney”, The Weekend Australian Magazine, 27-28 June 1987, p.12
Sandra Symons, “Making an image stick”, Sydney Morning Herald, 15 October 1987, p.3
Elwyn Lynn, “Public orgy from a hidden world”, The Weekend Australian Magazine, 17-18 October 1987, p.12
Peter Ross, “Inside the arts”, The Sun-Herald, 1 November 1987, p.132
Elwyn Lynn, “The exorcists and the Renaissance”, The Weekend Australian – Weekend, 22-23 October 1988, p.15
Christopher Allen, “Under the surface chic, a pile of pretension”, Sydney Morning Herald, 7 April 1989, p.16
Bronwyn Watson, “Prize paints a bright future”, Sydney Morning Herald, 19 December 1989, p.16
Christopher Allen, “Collage: 80-year fade from shock to shadow”, Sydney Morning Herald, 23 March 1990, p.20
Bronwyn Watson, “Mixed media messages”, Sydney Morning Herald – Metro, 23 March 1990, p.3s
Margot Date, “A parody on ideologies wins Amnesty art prize”, Northern Herald, 3 May 1990, p.10
Bronwyn Watson, “Bottom drawer finds”, Sydney Morning Herald – Metro, 22 June 1990, p.2
Kirsty Cameron, “The paper chase: get more art than you bargained for”, The Australian, 28 June 1990, p.9
Dian Lloyd, “Dazzling drawings show range of interest, stills”, The Australian Jewish News – Sydney Edition, 29 June 1990, pp.26, 39
Bronwyn Watson, “The return to old forms”, Sydney Morning Herald, 29 June 1990, p.14
Elwyn Lynn, “Balmy zephyrs from inland banish angst”, The Weekend Australian – Review, 30 June-
1 July 1990, p.10
Bronwyn Watson, “Raw vision”, Sydney Morning Herald – Metro, 19 April 1991, pp.1-2
Bronwyn Watson, “Drawing in the crowds”, Sydney Morning Herald, 2 July 1991, p.14
Glenn Russell, “Premium on horror”, The Bulletin, 16 July 1991, p.15
Elwyn Lynn, “Moore or less a Moscow maestro”, The Weekend Australian – Review, 6-7 February 1993, p.13
Bronwyn Watson, “The case for landscape”, Sydney Morning Herald, 12 February 1993, p.17
Bronwyn Watson, “Two share Kedumba award”, Sydney Morning Herald, 17 August 1993, p.19
Paul LePetit, “Judge draws on some special talent”, Sunday Telegraph, 22 August 1993, p.135
Bruce James, “A visual tour de force”, Sydney Morning Herald, 10 November 1994, p.22
Bruce James, “Affirming the living amid the agony and the cruelty of AIDS”, The Age, 30 November 1994, p.25
Sasha Grishin, “Restraint replaces horror”, Canberra Times, 6 December 1994
Bronwyn Watson, “Drawings to get permanent home”, Sydney Morning Herald, 28 April 1995, p.13
Bronwyn Watson, “Gallery devoted to drawing opens”, Sydney Morning Herald, 26 May 1995, p.15
Marcus Kuczynski, “Arthur breaks artist’s mould”, Inner Western Weekly, 21 June 1995
Matthew Westwood, “Youthful energy drawn out of blue”, The Australian, 30 June 1995, p.15
Felicity Fenner, “All-pervasive images of sex”, Sydney Morning Herald, 7 July 1995, p.14
Bruce James, “Limbs like Leonardo”, Sydney Morning Herald, 15 August 1997, p.14
Peter Phillips, “Challenge to art world a cry in dark” [obituary], Sydney Morning Herald,
5 December 2003, p.30
Charis Chang, “Artwork unearthed”, Northern District Times, 11 June 2008, p.26